Vitra

Verner Panton 1959/60

With its bright, cheerful colours and smooth curves, the Panton Chair has always been a favourite of children – both as a chair and as a plaything.

Charles & Ray Eames, 1945

Almost no other animal is as popular as the elephant. Admired for its majestic size and loved because of its gentle nature, the elephant is an everyday presence in our lives – as a stuffed toy, storybook figure or heraldic animal.

Edward Barber & Jay Osgerby, 2011

Tip Ton defines a whole new chair typology: the solid plastic chair with forward-tilt action. Its name refers to the dual sitting positions provided by the chair – from a normal position, Tip Ton can be tilted forward a few degrees where the chair then stays in place.

George Nelson, 1948-1960

Vitra Asterisk Clock: The George Nelson's clocks are made with different materials and made in sculptural shapes, clocks embody the joie de vivre of the 1950s.

Verner Panton, 1999

Verner Panton was one of the most influential figures in the development of design during the 1960s and 1970s. Along with his experimental approach to forms and colours, he was captivated by the potential of plastic, a novel material at the time

Charles & Ray Eames, 1950

The Eames Plastic Chairs are Renewed versions of the legendary Fiberglass Chairs. The original, Which was the very first industrially produced plastic chair, was Jointly developed with Zenith Plastics for the 'Low-Cost Furniture Design' competition Organised by the Museum of Modern Art

Charles & Ray Eames, 1953

Used instead of simple hooks, the brightly coloured wooden balls of the 'Hang it all' coat rack are aimed at encouraging children to literally hang up all their things.

George Nelson, 1948-1960

The George Nelson's clocks are made with different materials and made in sculptural shapes, clocks embody the joie de vivre of the 1950s.